On my first record, I was launched into this global situation. When people spoke about (fame) being like a roller-coaster, I didn’t understand how intense it would be. How did you adjust to suddenly being famous and having to find your own artistic voice so quickly? For me, it’s the most honest songs that hit me the hardest. I’ve just got to let whatever’s going to flow, flow, because it feels too good and it feels too confessional and too honest. For me, filtering what I want to say when I’m in the studio wouldn’t feel right. I think in the studio, it’s more of an open space. I think I’ve learned over the last few years about boundaries and I’ve formed them much more within my life. Is there a point where you catch yourself thinking, ‘This is too revealing’? You’re an artist who’s known for baring your soul. I’m trying to concentrate more now on the pressures I put on myself as a singer and a musician, and not the pressures that come from money people people who aren’t actually my fans. I feel like I’ve entered a time where I’m making music and I never stopped making music. Was there a certain pressure you felt making your third record?įor me, I’ve felt none. In the Lonely Hour and The Thrill of it All were both so huge. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.
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